Chris Difford – 1975 video – call for footage

Chris would like your help for a bit of fun! Would you like to be involved in contributing to Chris Difford’s new video for the first Radio Record called ’1975′ from his new album, ‘Cashmere if you Can’? Do you have photographs from the 1970s? Do you have home movies? Do they sum up the period? Chopper bikes, clackers, bouncy hoppers, patterned dresses, velvet loons, sideburns? If you own the copyright to the photos/film and would like them to feature in the new video, please get in Contact. Thanks!

Cashmere If You Can – Chris Difford

Chris Difford’s new album ‘Cashmere If You Can’ will be released song by song over the next few months. The track list is:

1. 1975
2. Like I Did
3. The Still And The Sparkling
4. Back In The Day
5. Sidney Street
6. Cottontops
7. Upgrade Me
8. Who’d Ever Want To Be
9. Passion Killer
10. Goldfish
11. Wrecked
12. Happy Once Again

‘Cashmere If You Can’ is produced by Leo Abrahams and engineered by Cameron Craig (Paolo Nutini, Duffy, Placebo, U.N.K.L.E.)

Here’s the latest Press Release for Chris Difford’s new album:

The new album by Chris Difford
Songs Available in instalments from May via Saturday Morning Music Club*
First single ‘1975’ Available May 15th

Chris Difford has cemented his position as one of Britain’s premier songwriters with his eye for detail, turning even the grittiest observations into pithy vignettes with his dexterous and witty wordplay. On his new album ‘Cashmere If You Can’ – his third as a solo artist – Chris frequently turns his ever-watchful eye on himself for an album that is uncharacteristically autobiographical, but typically frank.

Opener ‘1975’ sets the tone, with a polished glam-rockabilly riff over propulsive drums while the lyrics recount the story of a young man forming a band in South London – seemingly to great success, but, as has been Chris’ way right from Squeeze’s earliest days, with a devastating sting in the tail – “I threw away a family, a fortune and a wife”. Would he trade it all in for the chance to be young and naïve again? “Sounds like I’m complaining, but I’m happy to be here. It’s been a pleasant journey” he tells us – but throughout the album these conflicting references continue. Would the real Mr Difford please stand up!?

Although the album isn’t nostalgic, much of it is focused on Chris’ maturation – where once he wrote he “never thought it would happen with … the girl from Clapham”, now he’s almost proud as he watches his children run around making the exact same mistakes (‘Like I Did’). ‘Back In The Day’ remembers the Chris whose cockney affectations in ‘Cool For Cats’ made living for the weekend seem so attractive. Throughout the album Chris imbues his songs with some heartbreaking truths, yet his deftness of touch, along with some instantly memorable melodies and choruses, prevents them becoming maudlin. ‘Goldfish’ – a duet with Kathryn Williams – describes a relationship breaking down by focusing not on vague emotions but on the petty trivialities and modern-day pitfalls that will be recognisable to anyone, while the ‘Girl From Ipanema’-esque strains of ‘Upgrade Me’ confront preparing for death and the afterlife by comparing it to the mundane requests of an air traveller.

Written with unflinching candour, ‘Sidney Street’ is a heartfelt, piano-led paean to his grandfather going off to war, a chilling reminder of just how different his life could have been if he’d been born in a different generation. Closing track ‘Happy Once Again’ sees Chris accepting a long-term relationship end with good grace – perhaps addressing himself. Having posed a lot of questions and contradictions throughout the album, this song seems to be the final resolution. Chris has always had a smart social conscience; these songs see him coming to terms with himself and his past, laying ghosts to rest.

As an artist, Chris has never been so vibrant. Although Chris is often noted for his lyrics – having won two Ivor Novello Awards – his baritone voice has rarely sounded so rich as it does here. As well as regular collaborator Boo Hewerdine, Chris has enlisted the services of Leo Abrahams, who has produced or written with Brian Eno, David Byrne, Brett Anderson, David Holmes & Carl Barat. The results have energised his music and given the whole album a rock-pop sheen reminiscent not just of Squeeze at their best or The Kinks but also shows the contemporary likes of Brendan Benson, Supergrass and Razorlight – all of whom owe a debt to Chris – how it’s done.

*The release of ‘Cashmere If You Can’ will be the first of its kind. Although it will be released on CD later this year, from May fans will be able to download the album track-by-track on a weekly basis through the new innovative digital distribution venture ‘Saturday Morning Music Club’, created by Chris and his manager. Over the course of a 10-week period, a ‘cluster’ of media will be delivered direct to fans’ desktops each Saturday morning, either to stream from the app or to burn onto CD: the week’s lead album track, 2 b-sides, videos, photos, lyrics and notes – just for one overall price. For Chris, “it’s not an album, it’s an experience … I’d love to bring that excitement of rushing to the record shop every Saturday back to music.”

The album’s release method reflects Chris and ‘Cashmere If You Can’ perfectly – at once looking back, while at the same time forging ahead bravely. As he sings on ‘Back In The Day’; “I’m still living my improbable dream!”

Squeeze – On the Beach

Back in 1978 Squeeze had great plans – as well as being signed to A&M they were going to keep their independent roots and record a dance album for release on Deptford Fun City Records. Great idea. Never happened. What did get recorded, however, was a version of Cliff Richard’s ‘On the Beach’. They broadcast it once on local radio and my friend Sally recorded it. Thanks to her, here it is:

On the Beach – Squeeze

I can think of nothin’ better
Than dancin’ on the beach
See a girl, you can go and get her
All your troubles will be out of reach

On the beach, you can dance to a rock ‘n’ roll
On the beach, hear the Bosanova played with soul
On the beach, you can dance and twist and shout
On the beach, everybody hear me come on out
On the beach, come on everybody stomp your feet
On the beach, you can dance with anyone you meet
Cos all your troubles are out of reach
On the beach

Mmmm, this is fun
Mmmm, won’t you tell me I’m the one you’re gonna dance with
Yeah, Bosanova
Mmmm, this is fun
Mmmm, now I know you’re the one I’m gonna dance with
Yeah, twist and shout now

You can do the dance that you want to
With anyone that you meet
And if the Bosanova doesn’t get you
The Twist’ll have you on your feet

On the beach, you can dance to a rock ‘n’ roll
On the beach, here the Bosanova played with soul
On the beach, you can dance and twist and shout
On the beach, everybody hear me come on out
On the beach, come on everybody stomp your feet
On the beach, you can dance with anyone you meet
Cos all your troubles are out of reach
On the beach

‘Cool For Cats’ – by Kraftwerk

I love this spoof recording of ‘Cool For Cats’ by Kraftwerk to the tune of Kraftwerk’s ‘The Model’. It was only available on a white label 7″ single with no indication of its origin or the vocalist. It amused me – I hope it will amuse you!

Kraftwerk – Cool For Cats

Here’s what I was told about it:

I know little about this record. My guess is it’s a local band from the east midlands (I live in Nottingham).
The white sleeve is numbered 061 so it was likely to be a small pressing 100? 200? 500?
I don’t know who the artist/band is.

Sung to the tune of Kraftwerks “The Model” I think it is a classic gem, with humour too.

You’ll Never Walk Alone

Glenn sings “You’ll Never Walk Alone” from the 1945 Rodgers and Hammerstein musical, Carousel.

harland78617 — 05 October 2008 — Rogers and Hammerstein’s immortal classic of hope and inspiration, Recorded for posterity due to an odd set of circumstances and unbelievable coincidences, by the popular British rock band Squeeze under the direction and insanity of legendary austin poster artist Guy Juke. Squeeze frontman Glenn Tilbrook sweetly sings the timeless classic “You’ll Never Walk Alone” as Members of the band and Blackie White(Juke) of the Cornell Hurd, on guitar and piano. Barbara K. former of Timbuk 3 enginering this spontainious live performance of this improvable selection. Yes, it was a most unusual occurance!

Glenn Stranded in Morocco!

Glenn and his family have apparently been stranded in Morocco due to the volcanic ash, but they do have an exit strategy! Glenn’s manager will be driving the tourbus from Stroud to Spain to pick them up, says this local Gloucestershire web article.

Miles Connolly, of the Prince Albert in Stroud, is travelling 700 miles in the star’s tour bus to pick him and his family up in Madrid, Spain. Miles, who works part time for Glenn as a tour manager, got the call for help on Sunday after the musician was left stranded by the airspace shutdown crisis.

Miles said: “Glenn had been in Morocco, and obviously he can’t fly back, so it made sense for me to go down to London to get his tour bus and drive it down to pick him up. He’s there with three of his children, his girlfriend Suzanne, his father and his father’s partner, and he needs to get back.”

Miles and his partner Lotte Lyster, who runs the pub, set off on Monday night.

You can read the rest of the article here. This explains Glenn’s recent tweet, which I initially found a bit perplexing due to lack of context (and because I had assumed “ash” was a typo…)

In marrakech staying at the amazing Riyad Darhani in the centre of all the souks. Looks like we may be scoring some ash & be staying longer. -Glenn

Chris Difford News

Cashmere if you Can

Chris is now finalising plans for his new record, and the Saturday Morning Music Club (the new way of delivering songs, lyrics etc to members on – well I supposed you guessed that it arrives on Saturday morning, hadn’t you?). Here’s what his people have to say:

The record is now going to be called “Cashmere If You Can” (true to form Chris has now changed it twice), and he will hopefully be kicking things off mid-April, with the weekly delivery starting mid-May. Enigmatically, and topically, its highly likely that the first radio record will be “1975″. Saturday Morning Music Club is almost ready to be unveiled. Chris says: “I feel like the first man on the moon. Sort Of. Hope you enjoy it too. See you on Saturday”

Saturday Morning Music Club

Chris in intimate Brighton Gig – New Date!

Chris will be performing an intimate candlelit gig for just 40 people in his home town of Brighton at the Fairtrade Gallery on 23 May 2010.

26 MONTAGUE PLACE KEMPTOWN BN2 1JE : LICENSED BAR : 8 TIL 11 : 07990 511576 – TICKETS & INFO

Competition

There’s also a great competition to win a pair of tickets to see Chris live and acoustic at The Albany in Deptford on 21 May – final date for entries is 21 April (see the sidebar to enter) – let’s have your entries then!

US Tour Dates

Finally here are the first confirmed and now on sale dates for the US Squeeze tour. All these shows are a co-bill with Cheap Trick:

Fri 9th July LC Outdoor Amphitheatre, Columbus OH
Sat 10th July Ravinia Festival, Highland Park, IL
Tue 13th July Radio City Music Hall, New York, NY
Wed 14th July Bank of America Pavilion, Boston, MA
Fri 16th July Mann Center, Philadelphia, PA
Sat 17th July Meadowbrook Pavilion, Guilford, NH
Sun 18th July State Theater, New Brunswick, NJ

There are more to come and I’ll let you know as soon as possible.

Squeeze B’s and Obscurities on YouTube

One of the great things about YouTube is that it allows creative people to produce their own vision and interpretation of music in video form – at least until the owner of the rights finds out. One site that you really must visit is the YouTube channel of Tyrone (Tygre97) which has some fascinating videos of really unusual studio tracks by Squeeze. Here they are:

Please visit Ty’s channel and leave comments on those you like – there are hours of pleasure awaiting you.

Squeeze – 6 April 2010 – live at the Anchor & Hope, Charlton

Squeeze – 6 April 2010 – live at the Anchor & Hope, Charlton

Here is the full audio recording from the night – thanks Snipturn:

01 Annie Get Your Gun
02 Take Me I’m Yours
03 Up the Junction
04 Is That Love
05 Labelled With Love
06 Another Nail In My Heart
07 Goodbye Girl
08 Hourglass
09 Pulling Mussels (From the Shell)
10 Slap and Tickle
11 Cool For Cats
12 Tempted
13 Black Coffee In Bed

Here are my photographs from the night – enjoy!

Here are Snipturn’s fabulous videos of the night:

Here are Mitzi’s photographs from the night – enjoy!


“6th April 2010 “

From Squeeze Anchor & Hope, posted by Mitzi Bagpuss on 4/08/2010 (Showing 33 of 39 items)

Generated by Facebook Photo Fetcher


Difford & Tilbrook – 6 April 2010 – BBC Radio 5 Live

Chris and Glenn were on Richard Bacon’s show on BBC 5Live on Tuesday 6 April. It is available on the BBC iPlayer to watch and listen again – with video of three tracks at the 5Live web site.

Squeeze played their first gig thirty five years ago at Greenwich Borough Hall – there’s even a plaque on the wall to commemorate the event and they are still going strong. Glen (sic) Tilbrook and Chris Difford join Richard to play live in the studio ahead of a UK tour later this year. They perform several of their much-loved hits, including Tempted, Up the Junction and Pulling Mussels from A (sic) Shell.

BBC 5live

Cool For Cats on Radio 2′s ‘Sounds of the 70′s’

Cool For Cats by Squeeze was the featured album on Radio 2′s Sounds of the 70′s programme on Sunday. It’s still available to listen again on the BBC web site.

2010-04-04 johnnie walker

You can listen to the whole programme for the next six days here or listen to the revealing interviews with Chris Difford here:

Up the Junction – interview
Goodbye Girl – interview
Cool For Cats – interview

2010-04-04 johnnie walker