The new Squeeze single ‘Innocence In Paradise’ got its first play on Jeremy Vine’s BBC Radio 2 show yesterday. It’s available to purchase now. The official single ‘impact date’ is October 13 2017 – which is when the album ‘ The Knowledge’ is released – and you can pre-order it now!
Here’s a pre-sale link for The Knowledge on mp3:
And here’s the glorious vinyl with full album artwork:
Here’s the press release with all the details:
Innocence In Paradise’, with its pedal steel and cinematic atmosphere evoking images of the mythical western, is the first single from Squeeze’s new album ‘The Knowledge’. Both reassuringly familiar and intriguingly different the single is a fine example of the partnership between Chris Difford and Glenn Tilbrook.
“I’m so proud of this song, its flowing different and yet familiar. I don’t think we have reached this kind of musical bonding in a very long time.” Chris Difford
Two years on from the critically acclaimed Top 20 success of ‘Cradle To The Grave’ (the band’s first set of new songs this century), ‘The Knowledge’ offers up another dozen examples of high quality Chris Difford & Glenn Tilbrook song craft, and is the perfect curtain-raiser for a massive UK tour.
Very much part of the fabric of South London, their hometown heritage, such an integral part of the group’s DNA since seventies hits like ‘Up The Junction’, ‘Cool For Cats’ and ‘Slap And Tickle’, flows through the album as resolutely as the mighty majestic Thames. Greenwich’s own Maryon Wilson Park is name-checked in the chorus of the softly shuffling ‘Patchouli’, while ‘Every Story’ is a heartfelt poem to the people and places that shaped their upbringing – “You can do much worse than being here,” sings Glenn with masterful understatement.
A more sombre note of austerity echoes across ‘Rough Ride’, lamenting the struggles faced living in the capital, its ultimately hopeful message enriched by guest performers also from South London, namely the Lewisham & Greenwich NHS Choir and the Thorntree School Choir. There’s also a powerful tribute to the National Health Service in ‘A&E’, essentially a protest song railing against underfunding and low public sector wages.
Elsewhere, Glenn (vocals, electric guitar) and Chris (vocals, acoustic guitar) address all manner of issues, from schoolboy footballers abused by predatory coaches (‘Final Score’) to veteran obsessive record collectors (‘Albatross’), from erectile dysfunction (‘Please Be Upstanding’) to their own lengthy – and not always harmonious – relationship (the jaunty pop ska closer ‘Two Forks’).
Speaking about the record Glenn says “It is such a pleasure to say that in 2017 we have delivered our best ever record.” Chris recently observed “playing back the album I can feel the love we still have as songwriters, and for each other. It’s been some journey, and I hope it goes on for many years to come.”
Produced by Tilbrook, Andrew Jones and Laurie Latham, ‘The Knowledge’ was recorded at 45 RPM Studios in Charlton, and finds Glenn and Chris once again in the company of drummer Simon Hanson and keyboard wizard Stephen Large, plus a couple of new faces; Yolanda Charles on bass and Steve Smith on percussion.
Yolanda, tells us “I’m so excited to be invited to play with Squeeze. The guys were a pleasure to record the new album with and I know playing the live shows will be a fantastic experience.”
Steve, has previously supported Glenn on tour and has a deep personal connection with the band’s music, saying “I don’t know how many musicians get the chance of a lifetime to join the very first band that they ever went to see in concert.”
‘The Knowledge’ tracklisting:
1. Innocence in Paradise
4. Every Story
5. A Rough Ride
6. Departure Lounge
7. Final Score
8. Please Be Upstanding
9. The Ones
11. Elmers End
12. Two Forks
After their resurgence in 2015 with UK Top 20 and critically acclaimed album Cradle To The Grave, the first Squeeze album of new songs since 1998, Squeeze went on to play the Pyramid Stage at Glastonbury in 2016, solidifying themselves as one of the UK’s best live acts. The Guardian said their performance “[went] down a storm… Squeeze’s success is a pretty infectious thing” and Acoustic magazine concluded that “they don’t have the bombastic hype of headliners Coldplay, but they have the songcraft and lyrical majesty to leave the headliners in the dust which they duly did.”
Squeeze first formed in 1973, shortly after Chris and Glenn had begun their songwriting partnership, brought together by an ad in a sweetshop window. By 1977 they had made their recording debut and enjoyed a string of hits which lasted until 1982, the maturity of their songs outliving their initial burst of chart activity on the back of New Wave. Over the years there have been solo careers and occasional separations, but the Ivor Novello Award-winning duo reunited ten years ago to relaunch Squeeze and have been touring, writing and recording together since.
Squeeze 2017 Tour Dates:
Thursday 5th October – Rhyl Pavilion
Friday 6th October – Birmingham Symphony Hall
Saturday 7th October – Birmingham Symphony Hall
Monday 9th October – Milton Keynes Theatre
Tuesday 10th October – St David’s Hall, Cardiff
Thursday 12th October – Brighton Dome
Friday 13th October – Colston Hall, Bristol
Saturday 14th October – De Montford Hall, Leicester
Monday 16th October – Pavilion Theatre, Bournemouth
Tuesday 17th October – G Live, Guildford
Thursday 19th October – Regent Theatre, Ipswich
Friday 20th October – Nottingham Royal Concert Hall
Saturday 21st October – London Indigo 2
Monday 23rd October – Hexagon Theatre, Reading
Tuesday 24th October – Southend Cliffs Pavilion
Thursday 26th October – Sheffield City Hall
Friday 27th October – Cambridge Corn Exchange
Saturday 28th October – IC, Harrogate
Monday 30th October – Bridgewater Hall, Manchester
Tuesday 31st October – Usher Hall, Edinburgh
Tuesday 2nd November – Sage 1, Gateshead
Friday 3rd November – Glasgow Royal Concert Hall
Saturday 4th November – Liverpool Philharmonic Hall
Monday 6th November – Royal Albert Hall, London
Okay, what do you think of the single?